DXD is another name for 24/352.8k PCM or 32/352.8k PCM. We ship all tracks tagged, so FLAC is the PCM container we use (as do most). DXD is one of several PCM sample rates we sell (alongside 88.2kHz, 96kHz, 176.4kHz, 192kHz and the even higher 384k PCM rate), and we offer it in three situations: when the recording is native to DXD, when DXD was used to edit the recording during post-production and is therefore the edited master (a purist would say this is even more direct than a reexported DSD file), and when a lower-rate master has been converted to DXD, which is stated on the album page. Sometimes, DXD files come in a .wav container too.

DXD (352.8KHz 24/32 bit PCM) is one of the best and least destructive formats for post processing DSD originated digital recordings available today. (Some post-processing can also be done in the DSD domain, though the options are more limited.)

Unless mixing and balancing are performed in analog prior to digitizing, post processing is a requirement of a multi-mic’d recording session, particularly of large ensembles. Most DSD acoustic recordings today are multi mic digitally recorded, then level balanced and mixed in DXD during postproduction, yielding a DXD edited master. That is then followed by converting back to DSD for consumer delivery.

Interestingly, NativeDSD team members as well as some NativeDSD customers and music reviewers have found after listening to DSD files made from DXD edited masters that the DSD versions, particularly the higher bit rate examples at Double Rate DSD (DSD 128fs), Quad Rate DSD (256fs) and Octo Rate DSD (512fs), sounded more natural, spacious, and life-like than the DXD parent from which they were made. This points to the effects of the different processes DAC’s use in processing PCM and DSD data streams. Since the vast majority of DAC’s today are Sigma-Delta Modulator (SDM) based, there are less effects from the filtering necessary for PCM conversion to Analog Playback when DSD music files are used with a listener’s Digital to Analog Converter (DAC), Digital Audio Player (DAP) or Optical Disc Player with a DSD capable DAC.

NativeDSD is closely policing the origins of recordings and are allowing not only the DSD original files, but analogue direct transfers to DSD and DXD to be sold at NativeDSD Music. Let us be clear in that we are talking about the recording end, and that so far, many people have been positive about these transfers. We are stating in the tech spec tab on each album page what is happening in the recording process.

The large majority of DSD recordings offered on NativeDSD.com at the moment have some form of post-production, which means they are most likely being converted to DXD, then back to DSD. Some labels also now record in DXD. So, then it becomes acceptable to post the DXD as this is in some cases the original recording. There is a good deal of development in DSD at the moment, so we invite you to keep tuned to NativeDSD and our newsletters.

Again, we will be as clear as possible to how the recording is made in the Tech Specs section of albums released in the NativeDSD Music store, but we have no control of postproduction work. If an engineer works through a digital mixer rather than an analog one, the DSD files are converted to DXD. Some workflows render in DSD, converting only the crossfades. We generate the higher rates from the DXD master coming out of the mixer, and listener response has been positive.

Read more about DXD files here.